testing of unconditional parental love
testing of unconditional parental love

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

have you ever sneaked a bite of chalk from the classroom blackboard or tasted mortar as you were laying bricks
have you ever sneaked a bite of chalk from the classroom blackboard or tasted mortar as you were laying bricks

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

his eyes are fingers
his eyes are fingers

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

teepee snake snake
teepee snake snake

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

outgush of productive power
outgush of productive power

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

if we insisted on meeting all our fuel needs with eggs we would soon reach the end
if we insisted on meeting all our fuel needs with eggs we would soon reach the end

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

plump comforts
plump comforts

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

pont transbordeur
pont transbordeur

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

shame of parenthood
shame of parenthood

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

unimaginably savage
unimaginably savage

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

linnaean taxonomy
linnaean taxonomy

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

the thought of himself in a hat
the thought of himself in a hat

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

7th kingdom
7th kingdom

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

eiderdown
eiderdown

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

the fringe of his sash dancing jauntily
the fringe of his sash dancing jauntily

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

basis of optimism
basis of optimism

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

small sharp weapons and a hunk of kick-ass cheese
small sharp weapons and a hunk of kick-ass cheese

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

romantic victimhood
romantic victimhood

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo
hoo hoo hoo

L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

2018, mixed media on canvas

2018, mixed media on canvas

2018, mixed media on canvas

2018, mixed media on canvas

but . . . you're a horse
but . . . you're a horse

Produzentengalerie, Hamburg, 2018

oops
oops

2018, mixed media on Mylar, 60x84”

but . . . you're a horse
but . . . you're a horse

Produzentengalerie, Hamburg, 2018

but . . . you're a horse
but . . . you're a horse

Produzentengalerie, Hamburg, 2018

triumph of hope over experience
triumph of hope over experience

2018

labora et amare
labora et amare

2018, mixed media on Mylar, canvas

not today alcohol
not today alcohol

2018, mixed media on Mylar, 84x60”

but . . . you're a horse
but . . . you're a horse

Produzentengalerie, Hamburg, 2018

two friends are ordering lunch. one says, "I am in the mood for a burger", and orders it. the other says, "I am in the mood for a burger" but remembers that there are things more important to him than what he is in the mood for at any given moment,

two friends are ordering lunch. one says, "I am in the mood for a burger", and orders it. the other says, "I am in the mood for a burger" but remembers that there are things more important to him than what he is in the mood for at any given moment, and orders something else. who is the sentimentalist? --JSF

2018, mixed media on linen

2018, mixed media on Mylar, 42x30”

2018, mixed media on Mylar, 42x30”

there is infinite hope but not for us
there is infinite hope but not for us

2018, mixed media on Mylar, 30x42”

sir arthur conan doyle on a conducted tour of hades
sir arthur conan doyle on a conducted tour of hades

2018, mixed media on linen

2018, mixed media on canvas

2018, mixed media on canvas

2018, mixed media on canvas

2018, mixed media on canvas

2018, mixed media on canvas

2018, mixed media on canvas

nothing depresses me more than an empty ice tray
nothing depresses me more than an empty ice tray

2018, mixed media on paper

don't move mo the dinosaur pride parade is on your butt
don't move mo the dinosaur pride parade is on your butt

2018, mixed media on linen

2018, mixed media on Mylar, 30x42”

2018, mixed media on Mylar, 30x42”

2018, mixed media on paper

2018, mixed media on paper

scooby's hot dogs
scooby's hot dogs

2018, mixed media on Mylar, 30x42”

2018, mixed media on linen

2018, mixed media on linen

everybody has a mother
everybody has a mother

2018, mixed media on linen

2018, mixed media on Mylar

2018, mixed media on Mylar

big as life and twice as ugly
big as life and twice as ugly

2018, mixed media on linen

2018, etching

2018, etching

2018, etching

2018, etching

2018, etching

2018, etching

visiting friends
visiting friends

etching

mouth is the heart of the face
mouth is the heart of the face

2017, etching

propaganda I
propaganda I

etching

propaganda II
propaganda II

etching

propaganda III
propaganda III

etching

propaganda IV
propaganda IV

etching

pity is an agreeable sentiment uplifting like military music
pity is an agreeable sentiment uplifting like military music

2008, mixed media on paper, 22x30"

tongue like a wet arm
tongue like a wet arm

2012, mixed media on Mylar, 30x42"

bedbugs are passed from friend to friend
bedbugs are passed from friend to friend

2010, mixed media on Mylar, 72x63"

untitled (cats riding dogs)
untitled (cats riding dogs)

2005, etching on copper, 17 3/4 x 23 5/8"

i don't care if I can't understand you but you can't sit in the gutter all day
i don't care if I can't understand you but you can't sit in the gutter all day

2012, mixed media on Mylar, 30x42"

2 whores and a fishing boat
2 whores and a fishing boat

2009, mixed media on wallpaper, 83x66"

when food comes along lock it in your house
when food comes along lock it in your house

2010, mixed media on Mylar, 60x42"

dwelling in the marvelous
dwelling in the marvelous

2010, mixed media on Mylar, 24x36"

untitled (from the 400 series)
untitled (from the 400 series)

etching on zinc, 18x24"

dont know.jpg
afraid of certainty
afraid of certainty

2009, acrylic on canvas, 59x72"

angels fly because they take themselves lightly
angels fly because they take themselves lightly

2009, mixed media on canvas, 70x85"

don't know.jpg
Geppetto makes another one
Geppetto makes another one

2009, acrylic on canvas, 96x120"

if God is for us who can be against us
if God is for us who can be against us

2010, acrylic and marker on acetate, 45x60"

Marianne is Me; Eleanor is Me as I Ought to Be
Marianne is Me; Eleanor is Me as I Ought to Be

2015, pastel and acrylic on Mylar, 60x42"

 

Ego Defends Itself
Ego Defends Itself

2015, pastel and acrylic on Mylar, 42x30"

 

Pistis Sophia
Pistis Sophia

2015, pastel and acrylic on Mylar, 42x30"

 

Nature Bets Last
Nature Bets Last

2015, pastel and acrylic on Mylar, 42x30"

 

Room at the Top
Room at the Top

2015, gouache on canvas, 7x5"

 

Leaver, Not a Joiner
Leaver, Not a Joiner

2015, pastel on paper, 42.5x33.5"

Men Like That
Men Like That

2009, installation view, Zach Feuer Gallery, NYC

face to face with the darkness of God
face to face with the darkness of God

2012, acrylic on canvas, 30x42"

untitled
untitled

etching on copper

suspicious of men and believing only in God
suspicious of men and believing only in God

2013, acrylic and pastel on Mylar, 30x42"

you can teach toys how to dance
you can teach toys how to dance

2009, oil on canvas, 18x24"

BB5
BB5

2012, installation view, Griffelkunst, Hamburg, Germany

i don't want any problems, none whatsoever
i don't want any problems, none whatsoever

2007, acrylic and conte crayon on canvas, 53x72"

we are not afraid for comparable lives
we are not afraid for comparable lives

2011, acrylic on canvas, 41x38"

347_A2.jpg
347_A4.jpg
347_A3.jpg
347_A5.jpg
abc untitled4.jpg
DS_Failure.jpg
Eugene Onegin, Tchaikovsky, The Metropolitan Opera, NYC, 2013

Eugene Onegin, Tchaikovsky, The Metropolitan Opera, NYC, 2013

The Metropolitan Opera, NYC, 2013

The Metropolitan Opera, NYC, 2013

dasha-shishkin_1415482957_0.jpg.jpg
one-a pair of fat toads dueling, the other a gentleman swarmed with puppies
one-a pair of fat toads dueling, the other a gentleman swarmed with puppies

2018, acrylic, oil stick on linen, 152.5 x 122 x 3.5 cm 

(and Bobik's face)

as death is the rule and life its exception
as death is the rule and life its exception

2018, oil stick, acrylic on Mylar, 42 x 30"

perdu monocle
perdu monocle

2018, acrylic on canvas

that is how the toilet bowl functions, this swan of the bath chamber
that is how the toilet bowl functions, this swan of the bath chamber

2018, acrylic, oil stick on canvas, 120.5 x 153 cm

myth of animal consent
myth of animal consent

2018, acrylic, conte, gaffer tape, ink on linen, 95.5 x 217 cm

bodies beat minds
bodies beat minds

2018, acrylic, oil stick on Mylar

and her mother's mother and her mother's mother's mother
and her mother's mother and her mother's mother's mother

2018, oil stick on Mylar, 42 x 30"

birth of bread
birth of bread

2018, acrylic, ink on board, 55.8 x 76.3 cm

face 1
face 1

2018, acrylic, rubber on Mylar, 30.5 x 33.5 cm

face 2
face 2

2018, conte, acrylic on canvas

flesh doing the bidding of fantasy
flesh doing the bidding of fantasy

2018, pastel, oil stick on paper, 101.5 x 76 cm

hedgehogs shuffling through a pile of leaves
hedgehogs shuffling through a pile of leaves

2018, charcoal on paper, 65 x 50 cm

hope is responsibility of everyone
hope is responsibility of everyone

2018, charcoal on paper, 77.5 x 102.5 m

lathe
lathe

2018, charcoal on paper, 77.5 x 102.5 cm

thompson street
thompson street

2018, charcoal, acrylic on paper, 77.5 x 102.5 cm

my muse must come to me on union time
my muse must come to me on union time

2018, acrylic, charcoal on paper, 63.2 x 48cm

never had a mattress i did not like
never had a mattress i did not like

2017, acrylic, pastel, ink on Mylar, 60 x 42"

why is taste, the crudest of our senses, exempted from the ethical rules that govern our other senses? (pg.93 JSF)
why is taste, the crudest of our senses, exempted from the ethical rules that govern our other senses? (pg.93 JSF)

2018, acrylic, conte, ink on linen, 170 x 135 x 5 cm

no longer modern but filled with something age-old: shame that we are a family with lice
no longer modern but filled with something age-old: shame that we are a family with lice

2018, acrylic on canvas, 99.4 x 60.5 cm

orphic + apollonian
orphic + apollonian

2018, charcoal, acrylic on paper, 77.5 x 102.5 cm

pivotage difficille
pivotage difficille

2018, acrylic, oil stick, pastel on Mylar, 30 x 42"

teetotal
teetotal

2018, acrylic on canvas

the happy house
the happy house

2018, acrylic on canvas, 49.5 x 34.5 cm

time is nothing
time is nothing

2018, acrylic on board, frame, 60.5 x 45.5 x 2 cm (78 x 63 x4.5 cm)

2017, charcoal on Mylar, 42 x 30"

2017, charcoal on Mylar, 42 x 30"

cats and potatoes
cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes
cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes
cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes
cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes
cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes
cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes
cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

etching

etching

cats and potatoes
cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

testing of unconditional parental love
have you ever sneaked a bite of chalk from the classroom blackboard or tasted mortar as you were laying bricks
his eyes are fingers
teepee snake snake
outgush of productive power
if we insisted on meeting all our fuel needs with eggs we would soon reach the end
plump comforts
pont transbordeur
shame of parenthood
unimaginably savage
linnaean taxonomy
the thought of himself in a hat
7th kingdom
eiderdown
the fringe of his sash dancing jauntily
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
basis of optimism
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
small sharp weapons and a hunk of kick-ass cheese
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
romantic victimhood
hoo hoo hoo
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019
2018, mixed media on canvas
2018, mixed media on canvas
but . . . you're a horse
oops
but . . . you're a horse
but . . . you're a horse
triumph of hope over experience
labora et amare
not today alcohol
but . . . you're a horse
two friends are ordering lunch. one says, "I am in the mood for a burger", and orders it. the other says, "I am in the mood for a burger" but remembers that there are things more important to him than what he is in the mood for at any given moment,
2018, mixed media on Mylar, 42x30”
there is infinite hope but not for us
sir arthur conan doyle on a conducted tour of hades
2018, mixed media on canvas
2018, mixed media on canvas
2018, mixed media on canvas
nothing depresses me more than an empty ice tray
don't move mo the dinosaur pride parade is on your butt
2018, mixed media on Mylar, 30x42”
2018, mixed media on paper
scooby's hot dogs
2018, mixed media on linen
everybody has a mother
2018, mixed media on Mylar
big as life and twice as ugly
2018, etching
2018, etching
2018, etching
visiting friends
mouth is the heart of the face
propaganda I
propaganda II
propaganda III
propaganda IV
pity is an agreeable sentiment uplifting like military music
tongue like a wet arm
bedbugs are passed from friend to friend
untitled (cats riding dogs)
i don't care if I can't understand you but you can't sit in the gutter all day
2 whores and a fishing boat
when food comes along lock it in your house
dwelling in the marvelous
untitled (from the 400 series)
dont know.jpg
afraid of certainty
angels fly because they take themselves lightly
don't know.jpg
Geppetto makes another one
if God is for us who can be against us
Marianne is Me; Eleanor is Me as I Ought to Be
Ego Defends Itself
Pistis Sophia
Nature Bets Last
Room at the Top
Leaver, Not a Joiner
Men Like That
face to face with the darkness of God
untitled
suspicious of men and believing only in God
you can teach toys how to dance
BB5
i don't want any problems, none whatsoever
we are not afraid for comparable lives
347_A2.jpg
347_A4.jpg
347_A3.jpg
347_A5.jpg
abc untitled4.jpg
DS_Failure.jpg
Eugene Onegin, Tchaikovsky, The Metropolitan Opera, NYC, 2013
The Metropolitan Opera, NYC, 2013
dasha-shishkin_1415482957_0.jpg.jpg
one-a pair of fat toads dueling, the other a gentleman swarmed with puppies
as death is the rule and life its exception
perdu monocle
that is how the toilet bowl functions, this swan of the bath chamber
myth of animal consent
bodies beat minds
and her mother's mother and her mother's mother's mother
birth of bread
face 1
face 2
flesh doing the bidding of fantasy
hedgehogs shuffling through a pile of leaves
hope is responsibility of everyone
lathe
thompson street
my muse must come to me on union time
never had a mattress i did not like
why is taste, the crudest of our senses, exempted from the ethical rules that govern our other senses? (pg.93 JSF)
no longer modern but filled with something age-old: shame that we are a family with lice
orphic + apollonian
pivotage difficille
teetotal
the happy house
time is nothing
2017, charcoal on Mylar, 42 x 30"
cats and potatoes
cats and potatoes
cats and potatoes
cats and potatoes
cats and potatoes
cats and potatoes
cats and potatoes
etching
cats and potatoes
testing of unconditional parental love

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

have you ever sneaked a bite of chalk from the classroom blackboard or tasted mortar as you were laying bricks

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

his eyes are fingers

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

teepee snake snake

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

outgush of productive power

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

if we insisted on meeting all our fuel needs with eggs we would soon reach the end

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

plump comforts

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

pont transbordeur

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

shame of parenthood

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

unimaginably savage

PARTIAL ECLIPSE Anton Ginzburg and Dasha Shishkin, Fridman Gallery, NYC, 2019

linnaean taxonomy

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

the thought of himself in a hat

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

7th kingdom

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

eiderdown

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

the fringe of his sash dancing jauntily

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

basis of optimism

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

small sharp weapons and a hunk of kick-ass cheese

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

romantic victimhood

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo

L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

hoo hoo hoo, L21 Gallery, Palma de Mallorca, 2019

2018, mixed media on canvas

2018, mixed media on canvas

but . . . you're a horse

Produzentengalerie, Hamburg, 2018

oops

2018, mixed media on Mylar, 60x84”

but . . . you're a horse

Produzentengalerie, Hamburg, 2018

but . . . you're a horse

Produzentengalerie, Hamburg, 2018

triumph of hope over experience

2018

labora et amare

2018, mixed media on Mylar, canvas

not today alcohol

2018, mixed media on Mylar, 84x60”

but . . . you're a horse

Produzentengalerie, Hamburg, 2018

two friends are ordering lunch. one says, "I am in the mood for a burger", and orders it. the other says, "I am in the mood for a burger" but remembers that there are things more important to him than what he is in the mood for at any given moment, and orders something else. who is the sentimentalist? --JSF

2018, mixed media on linen

2018, mixed media on Mylar, 42x30”

there is infinite hope but not for us

2018, mixed media on Mylar, 30x42”

sir arthur conan doyle on a conducted tour of hades

2018, mixed media on linen

2018, mixed media on canvas

2018, mixed media on canvas

2018, mixed media on canvas

nothing depresses me more than an empty ice tray

2018, mixed media on paper

don't move mo the dinosaur pride parade is on your butt

2018, mixed media on linen

2018, mixed media on Mylar, 30x42”

2018, mixed media on paper

scooby's hot dogs

2018, mixed media on Mylar, 30x42”

2018, mixed media on linen

everybody has a mother

2018, mixed media on linen

2018, mixed media on Mylar

big as life and twice as ugly

2018, mixed media on linen

2018, etching

2018, etching

2018, etching

visiting friends

etching

mouth is the heart of the face

2017, etching

propaganda I

etching

propaganda II

etching

propaganda III

etching

propaganda IV

etching

pity is an agreeable sentiment uplifting like military music

2008, mixed media on paper, 22x30"

tongue like a wet arm

2012, mixed media on Mylar, 30x42"

bedbugs are passed from friend to friend

2010, mixed media on Mylar, 72x63"

untitled (cats riding dogs)

2005, etching on copper, 17 3/4 x 23 5/8"

i don't care if I can't understand you but you can't sit in the gutter all day

2012, mixed media on Mylar, 30x42"

2 whores and a fishing boat

2009, mixed media on wallpaper, 83x66"

when food comes along lock it in your house

2010, mixed media on Mylar, 60x42"

dwelling in the marvelous

2010, mixed media on Mylar, 24x36"

untitled (from the 400 series)

etching on zinc, 18x24"

afraid of certainty

2009, acrylic on canvas, 59x72"

angels fly because they take themselves lightly

2009, mixed media on canvas, 70x85"

Geppetto makes another one

2009, acrylic on canvas, 96x120"

if God is for us who can be against us

2010, acrylic and marker on acetate, 45x60"

Marianne is Me; Eleanor is Me as I Ought to Be

2015, pastel and acrylic on Mylar, 60x42"

 

Ego Defends Itself

2015, pastel and acrylic on Mylar, 42x30"

 

Pistis Sophia

2015, pastel and acrylic on Mylar, 42x30"

 

Nature Bets Last

2015, pastel and acrylic on Mylar, 42x30"

 

Room at the Top

2015, gouache on canvas, 7x5"

 

Leaver, Not a Joiner

2015, pastel on paper, 42.5x33.5"

Men Like That

2009, installation view, Zach Feuer Gallery, NYC

face to face with the darkness of God

2012, acrylic on canvas, 30x42"

untitled

etching on copper

suspicious of men and believing only in God

2013, acrylic and pastel on Mylar, 30x42"

you can teach toys how to dance

2009, oil on canvas, 18x24"

BB5

2012, installation view, Griffelkunst, Hamburg, Germany

i don't want any problems, none whatsoever

2007, acrylic and conte crayon on canvas, 53x72"

we are not afraid for comparable lives

2011, acrylic on canvas, 41x38"

Eugene Onegin, Tchaikovsky, The Metropolitan Opera, NYC, 2013

The Metropolitan Opera, NYC, 2013

one-a pair of fat toads dueling, the other a gentleman swarmed with puppies

2018, acrylic, oil stick on linen, 152.5 x 122 x 3.5 cm 

(and Bobik's face)

as death is the rule and life its exception

2018, oil stick, acrylic on Mylar, 42 x 30"

perdu monocle

2018, acrylic on canvas

that is how the toilet bowl functions, this swan of the bath chamber

2018, acrylic, oil stick on canvas, 120.5 x 153 cm

myth of animal consent

2018, acrylic, conte, gaffer tape, ink on linen, 95.5 x 217 cm

bodies beat minds

2018, acrylic, oil stick on Mylar

and her mother's mother and her mother's mother's mother

2018, oil stick on Mylar, 42 x 30"

birth of bread

2018, acrylic, ink on board, 55.8 x 76.3 cm

face 1

2018, acrylic, rubber on Mylar, 30.5 x 33.5 cm

face 2

2018, conte, acrylic on canvas

flesh doing the bidding of fantasy

2018, pastel, oil stick on paper, 101.5 x 76 cm

hedgehogs shuffling through a pile of leaves

2018, charcoal on paper, 65 x 50 cm

hope is responsibility of everyone

2018, charcoal on paper, 77.5 x 102.5 m

lathe

2018, charcoal on paper, 77.5 x 102.5 cm

thompson street

2018, charcoal, acrylic on paper, 77.5 x 102.5 cm

my muse must come to me on union time

2018, acrylic, charcoal on paper, 63.2 x 48cm

never had a mattress i did not like

2017, acrylic, pastel, ink on Mylar, 60 x 42"

why is taste, the crudest of our senses, exempted from the ethical rules that govern our other senses? (pg.93 JSF)

2018, acrylic, conte, ink on linen, 170 x 135 x 5 cm

no longer modern but filled with something age-old: shame that we are a family with lice

2018, acrylic on canvas, 99.4 x 60.5 cm

orphic + apollonian

2018, charcoal, acrylic on paper, 77.5 x 102.5 cm

pivotage difficille

2018, acrylic, oil stick, pastel on Mylar, 30 x 42"

teetotal

2018, acrylic on canvas

the happy house

2018, acrylic on canvas, 49.5 x 34.5 cm

time is nothing

2018, acrylic on board, frame, 60.5 x 45.5 x 2 cm (78 x 63 x4.5 cm)

2017, charcoal on Mylar, 42 x 30"

cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

etching

cats and potatoes

2018, Gio Marconi Gallery, Milan, Italy

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